Publication Date

December 1, 1985

Perspectives Section

News

Geographic

  • United States

Thematic

Visual Culture

History buffs were offered a rare treat on Sep­tember 18, 1985 when ABC Television aired a prime-time documentary enti­tled 45/85. Featuring Peter Jennings and Ted Koppel as hosts, the three­-hour program presented a kaleidoscop­ic view of virtually all the major develop­ments in American history from 1945 to 1985. In an effort to hold audiences who are accustomed to watching Miami Vice and Knight Rider during the princi­pal evening hours, 45/85 applied a fast­ paced, high-tech format that resembled a cross between ABC’s World News To­night and Entertainment Tonight. Spicing the presentation were abundant ten-second interview bytes, brief on-the-spot reports, and “flash frame” mon­tages showing the icons of each period.

The overall effect was to leave a snap­shot impression of American history. In the effort to cover everything, ABC’s documentary-makers provided only fleeting glimpses of major events and people. Thankfully, the producers gave some focus to the investigation; they concentrated particularly on the Cold War. The format raises some obvious questions. Can this approach make a useful contribution to the public’s un­derstanding of history? Can the viewer learn much from news-style reporting that relies on encapsulated accounts to convey information? Do audiences prof­ it from seeing a little about everything rather than a great deal about just a few issues?

It is easy to criticize 45/85 for its superficiality; the approach almost re­duces historical events to anecdotes. Nevertheless, ABC deserves some ap­preciation from the historical profes­sion. In an age when nighttime soap operas, violent crime shows, and situa­tion comedies dominate TV program­ming during the prime viewing hours, attempts to stage a three-hour historical documentary should be welcomed.

45/85 did score some significant achievements. The producers could have whitewashed the story of the Cold War as many documentary makers do, building a subtle defense of most US actions. They did not. Through interviews and commentaries, the program reveals that John F. Kennedy began his leadership in the style of a Cold War Warrior, that Lyndon Baines Johnson used the Gulf of Tonkin incident as “the pretext” to look tough during the presi­dential campaign against Barry Goldwa­ter, and that former Secretary of State Dean Rusk (whose comments appeared frequently in the show) spoke simple­mindedly of “the Block” when referring to the USSR and China in the 1960s.

Indeed, 45/85 provides some interest­ing perspectives on familiar controver­sies from people who were close to the centers of power. It shows, for example, Pierre Salinger and David Powers claim­ing that John F. Kennedy wanted to find a politically acceptable way to take the US out of Vietnam. We see Gener­al William Westmoreland acknowledge that he did not appreciate the historic tensions between the Vietnamese and Chinese people when he took command in Vietnam, and Richard M. Nixon ad­mits that he did not have a secret plan to end the war during the 1968 presiden­tial campaign (“That was one of those things of the imagination that always comes up in a campaign,” says the for­mer President). In another revealing commentary, Arkady Schevchenko, the Soviet defector, explains that the Cuban Missile Crisis badly humiliated the Rus­sian leaders and motivated them to achieve military parity. We also see Dean Rusk unveiling his frustrations with the claim that dissenters against the Vietnam War effectively said to Hanoi, “Just hang in there gentlemen, and you will win politically what you could not win militarily.”

A snapshot history can also expose viewers to those familiar quotations that have become significant parts of our collective memory. It is one thing to read the memorable words of history, but our emotions are touched somewhat better when we view the speaker and the setting. 45/85 reveals Barry Goldwater addressing the 1964 Republican con­vention with the remark, “I would re­mind you that extremism in defense of liberty is no vice”; it shows Richard M. Nixon declaring, “Well, I’m not a crook”; and it lets us watch Jimmy Car­ter announce confidently that “We look upon Iran’s strength as an extension of our strength, and Iran looks upon our strength as an extension of theirs.” These quotations have become icons from our recent past, and, as video images, they are particularly poignant.

The study of American history re­ceives no notable boost from airing of 45/85. Television history does not offer a valuable instructional tool for the classroom when it appears in such a rapid-paced parade of disparate visual and audio details. The snapshot ap­proach does work at another level, how­ever, for it provides a marvelous way to stir the emotions of our students and arouse their curiosity about the past. Programs such as 45/85 can serve nicely as stimuli for further reading and dis­cussion.

Robert Brent Toplin
Robert Brent Toplin

University of North Carolina, Wilmington